The Health Of A Nonprofit Health Care Clinic - 1281 Words

For this assignment I chose the Health Care topic because I currently work for a nonprofit health care clinic. I have been with the clinic for only two years, but I have seen things happening to McDonaldize healthcare in that short time period. I personally witnessed in the late 1990s the types of changes Ritzer discusses in his book. Our son, Trevor, was born in 1990. Our health insurance was with an HMO, Kaiser Permanente, which was the least expensive option for our family at the time. Trevor had reoccurring ear infections and we were forced to continue seeing the same pediatrician, who kept increasing the strength of the antibiotic he was taking. Nothing was working. We were not allowed to go to a specialist without the†¦show more content†¦My current employer is the Kansas City CARE Clinic. It is one of many safety net clinics within the Kansas City area that will not turn away patients because they cannot pay. The clinic was founded in 1971 by medical students and concerned citizens to provide quality health care to the homeless and indigent people within the Kansas City metro area. The clinic was originally known as the Westport Free Health Clinic, later the name was changed to Kansas City Free Health Clinic and then when the Affordable Care Act was signed into law, the clinic became the Kansas City CARE Clinic. The clinic can now take all medical insurances, which has helped treat more uninsured and underinsured patients than ever before. I agree with Ritzer that the for-profit health care organizations are increasingly using the rational medical systems with their focus on lowering costs and increasing profits, which could reduce the quality of health care, especially for the poorest members of society. However, the KC CARE Clinic have been partnering with some of the for-profit organizations from the beginning to assist the poorest members of society. The Community Health Worker (CHW) program is a large program with workers in em ergency rooms of most of the hospitals within the metro area to help those who use the emergency room as their primary care facility. The CHWs help these patients by finding a non-emergency facility to become their primary care

Henry David Thoreau, Gandhi, and Martin Luther King Jr.s...

According to the Merriam-Webster online dictionary, the definition of civil disobedience is the â€Å"refusal to obey governmental demands or commands especially as a nonviolent and usually collective means of forcing concessions from the government.† Men such as Henry David Thoreau, Gandhi, and Martin Luther King Jr. have all used forms of civil disobedience and nonviolent protest to make changes in the world. These changes have made huge impacts on our societies and how we are able to live our everyday lives. Without these three men and their practice of civil disobedience, the world would be a very different place. Thoreau views civil disobedience as a necessity when the law causes someone to be unjust to another person. He claimed that it is a person’s right to stand up to the Government when he or she feels like their rights is being infringed upon. Most of these protests are nonviolent, but in the case of slavery he took a more active approach. He couldn’t believe that the Government that he was living under could also be a Government that slaves were living under as well. Thoreau believed that the Government was completely unjust and that people who are paying taxes but saying that they don’t believe in slavery are participating in the injustice of the slaves. He believed that people needed to take action now, and that waiting to vote to change things would not help at all. People needed to live their lives every day by being just and doing the right thing. He alsoShow MoreRelatedViolent Protest In 1848 : Civil Disobedience896 Words   |  4 PagesBartolomà © Soto Non-violent civil protest is what its known as a direct action from society and it is part of what Henry Thoreau called in his essay on 1848: Civil disobedience†. 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Henry Thoreau was born in Concord, Massachusetts to a successful pencil manufacturer John Thoreau and a strong-willed, quick-witted mother, Cynthia. Early on Henry enjoyed reading books and observing nature in solitude. He inherited the gift of gab and intellectual inquiry from his mother as well as both Puritan and abolitionist ideals. In 1837 he graduated from Harvard. In 1841 Henry moved into Ralph Waldo Emersons homeRead MoreGandhi`s Achivements and Failures Essay961 Words   |  4 Pages amp;#65279; Gandhi was an influential figure in our society. He taught many people about equal rights, honouring thy neighbour, and peace and tranquillity. Although at times his actions were deemed improbable and insane nevertheless, they were effective. Life of Mohatama Gandhi; his goals he accomplish for freedom for South Africa; and how Mohatama finally obtained freedom for India. Gandhi, also known as Mahatma Gandhi, was born in the present state of Gujarat on October 2, 1869. He was

Eugene Oneill (1167 words) Essay Example For Students

Eugene Oneill (1167 words) Essay Eugene OneillEugene Gladstone ONeills life is reflected throughout his plays in order to let out his true feelings. Eugene ONeill was born in October on the 16, 1888. He was born in New York City, New York, in a hotel on forty-third and Broadway. For the first seven years of his life, he traveled with his parents. James ONeill, his father, was among the top actors of his time and his mother, Ellen Quinlan, did not work, she only followed James from stage to stage. They traveled with the famous melodrama, The Count of Monte Cristo, which his father acted in. Right from the start, ONeill was growing up with plays all around him (143). Eugenes early education came from different Catholic schools. From 1895-1900, he attended St. Aloysius Academy for boys in Riverdale, New York, and from 1900-1902 he went to De La Salle Institute in New York. After the De La Salle Institute, he attended a preparatory school, Betts Academy in Stanford, Connecticut. From 1906-1907, he attended Princeton. After a year, he was kicked out for breaking a window in a stationmasters house. Throughout these years of education his home life, or life on the road, wasnt very good. According to George H. Jensen in the Dictionary of Literary Biography , Eugenes home life was crucial to the plays that he wrote. Filled with guilt, betrayal, and accusations, it is, sometimes hard to see and sometimes Castellari 2very easy for us to see. Ellen Quinlan ONeill felt betrayal when three months after her marriage, James was accused by Nettie Walsh of being her husband and the father of her child. Jamie, Ellens firstborn, passed the measles to Edmund, her s econd born, who died shortly afterward. Ellen became a drug addict after a doctor gave her morphine while getting better after Eugenes birth. Later, she blamed her addiction on James, her husband. She said that he was too miserly to pay for a good doctor (141-142). This is almost the exact plot of the play Long Days Journey Into Night. Most of his entire home life was developed into his plays. His feeling about his mother being a drug addict were presented in the play Long Days Journey Into Night (156). ?His early years were profoundly affected by the pressures of his mothers recurring mental illness and drug addiction and by his tempestuous relationship with his father, a discordant family situation that he later drew upon when writing Long Days Journey into Night? (Poupard 156). In the play, the mother was a morphine addict, just as his mother was in real life. In life, her addiction was because of the birth of her second son, Edmund, but she blames it on her husband. In the play, the mother actually blames her morphine addiction on her youngest son, Edmund. While Eugene was living at home, there were many other things going wrong that showed up in Long Days Journey into Night. One of the events was the relationship of his mother and father. Throughout his life, they fought Castellari 3continuously about her drug addiction. Another was that Edmund was sick throughout the entire play. ONeills real brother Edmund was sick since a young child and died of malaria. This entire play can almost be considered an autobiography (146-147). Eugene ONeills Long Days Journey into Night is intensely personal and directly autobiographical. Written in an agonizing attempt to understand himself, and no doubt primarily for his own sake, it is not only about himself, but about his father and his mother as well. Because ONeill was so essentially a dramatist, self-examination and the attempt to lighten the burden of the past inevitably took the form of a drama. (Krutch 158)Eugene Gladstone ONeills play Long Days Journey into Night definitely portrays his feelings about his family. He shows that he dislikes the relationship of his parents, but that he can not blame it wholly on them. He also puts part of the blame on the drugs that make his mother act the way she does and on the alcohol that makes his father act the way that he does (158). Once ONeill left home and was dismissed from Princeton because of his grades, he had to work a few odd jobs so he didnt have to live on the streets. In 1909 he met and married Kathleen Jenkins. His father disapproved of the marriage, so he sent Eugene to Honduras to prospect for gold. While he was Castellari 4there he caught malaria, which caused him to go back home. Kathleen then gave birth to Eugenes first son, Eugene Gladstone Jr. A month after his son was born he became a seaman on the Charles Racine, a Norwegian ship. After working for a while, in 1911 he returned to New York. Kathleen and Eugene divorced because Kathleen didnt like Eugene always being away. He then moved to Jimmy-the-Priests, a waterfront apartment place. Soon enough he took another voyage. He went out on the New York and returned on the Philadelphia, both of them were luxury liners. ?These voyages provided material for The Hairy Ape and other plays? (Jensen 142). .u1b4ff191587bda73b0e543174b20b9ac , .u1b4ff191587bda73b0e543174b20b9ac .postImageUrl , .u1b4ff191587bda73b0e543174b20b9ac .centered-text-area { min-height: 80px; position: relative; } .u1b4ff191587bda73b0e543174b20b9ac , .u1b4ff191587bda73b0e543174b20b9ac:hover , .u1b4ff191587bda73b0e543174b20b9ac:visited , .u1b4ff191587bda73b0e543174b20b9ac:active { border:0!important; } .u1b4ff191587bda73b0e543174b20b9ac .clearfix:after { content: ""; display: table; clear: both; } .u1b4ff191587bda73b0e543174b20b9ac { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1b4ff191587bda73b0e543174b20b9ac:active , .u1b4ff191587bda73b0e543174b20b9ac:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1b4ff191587bda73b0e543174b20b9ac .centered-text-area { width: 100%; position: relative ; } .u1b4ff191587bda73b0e543174b20b9ac .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1b4ff191587bda73b0e543174b20b9ac .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1b4ff191587bda73b0e543174b20b9ac .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1b4ff191587bda73b0e543174b20b9ac:hover .ctaButton { background-color: #34495E!important; } .u1b4ff191587bda73b0e543174b20b9ac .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1b4ff191587bda73b0e543174b20b9ac .u1b4ff191587bda73b0e543174b20b9ac-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1b4ff191587bda73b0e543174b20b9ac:after { content: ""; display: block; clear: both; } READ: Vampires, Obsession Throughout Eternity Obsession Analysis EssayAt the end of 1912, he chose the brief career as a journalist. The reason it was short was because he became diagnosed with tuberculosis. He entered the Gaylord Farm Sanitorium to be treated. This is where ONeill gained his life back. He went into the sanitorium as a bad poet, but he came out with the decision to be a serious writer. He began to pursue this choice while living with the Rippin family in New London. This is where he started to write a few of his best plays (160). Having grown up with The Count of Monte Cristo, ONeill had little choice but to began by writing melodramas. In the early twentieth century, theatrical experiments in Europe were not easily transplanted to America. The unavoidable model, then was the melodrama, in which plot was more important that the characterization. ONeill eventually broke from the Castellari 5tradition of melodrama by making characterization more important than plot. (142)In the first plays, ONeill has the plot and the action much more significant than his characters. Later on in his writing career he began to make the characters a lot more important than the plot, especially when he writes about his life as he did in Long Days Journey into Night (154). Throughout the rest of his life as a writer, he was acknowledged for many writings. He has won the Pulitzer Prize four times, for Beyond the Horizon, Anna Christine, Strange Interlude, and last for Long Days Journey into Night. He has also won many other awards. His biggest achievement was the Nobel Prize for Literature in 1936. However, his best play was never really noticed by the public until after his death, Long Days Journey into Night. Eugene Gladstone ONeill died in Boston, Massachusetts on November 27, 1957. English Essays

Maoist legacy in contemporary China

Introduction China is one of the Asian states with a rich historical background that entails a continuum of social, economic, and political growth and development stories articulated for a number of decades. The entire development story of the Republic of China entails a great connection between political ideologies and significant transformations witnessed in its modernity.Advertising We will write a custom essay sample on Maoist legacy in contemporary China specifically for you for only $16.05 $11/page Learn More The Chinese political history carries the story of the mainland China that earmarked significant political changes after the Communist Party of China (CPC) clinched political victory (Deng and Brien 537). During the Chinese Civil War in the 1949, Mao Zedong declared sovereignty in the People’s Republic of China (PRC) after rescuing it from the Tiananmen. Although China has undergone enormous political evolution through several imperial dynasties, the Maoist legacy has remarkably dominated the Chinese culture for a long time. Even though it is synonymous to many Chinese, some are still unaware of the Maoist legacy. This paper seeks to investigate how the Maoist legacy is received in the contemporary China. Mao Zedong and the legacy of Maoism Prehistorically, the Chinese nationalism rested upon the traditional ideology of capitalism that embodied itself through ethicized political and social institutions (Deng and Brien 543). Immediately after clinching power during the Chinese Civil War through the Communist Party of China (CPC), Mao Zedong started restoring the socio-cultural identify of China through instigating social revolution. These social reforms developed by the Communist Party in the 1949 principally â€Å"aimed at transforming the traditional China from very unequal petty capitalist society into a centrally planned socialist economy modeled after the Soviet Union† (Whyte 229). The era of transition from totalitarian and unequal nationalism ended in 1956 when China became a unified nation marked by cooperation and organized people’s communes in the 1958.Advertising Looking for essay on political sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More Although the majority of the Chinese peasant families owned small private farms that were important for growing and keeping animals for home consumption, they engaged in the collective farms. These families dedicated most of their time in labor energy and work time in the collective farms as strategized by the Mao government. Nationalism for the Chinese people grew from racial divide characterized by capitalism during the pre-colonial period into a mixture of Western and Chinese philosophies that rest upon the idea of National Socialism. Rather than urban working class, the Maoism ideology considered agrarian peasantry as an essential force of converting from capitalism to socialis m. The convictions and perceptions of the Maoism ideology rested upon the notion that agriculture can provoke a suitable foundation towards National Socialism. Fueled by the Maoist political regime, Maoism used the guerrilla warfare that mobilized large population of rural civilians to rebel against urbanely established institutions provoked national ethnical split according to Mao. Maoist ideology and the Mao government considered the industrial urban modernism as the driving force towards national split, with individuals divided into social classes. Consisting approximately 80% of the national population, the Chinese rural revolution that comprised empowerment of locals through peasantry and collective agricultural development, contributed significantly to certain Chinese modern aspects. Mao Zedong influenced the Chinese lives from political perception to cultural elements especially through his participation in the artistic works of the Chinese communities. While embarking on the restoration of social equality among the Chinese communities, Mao went ahead and established means of spreading his revolutionary aim through artistic works. Through the efforts of his cohorts, family, and other followers, Mao embraced the use of arts in communication with masses in order to achieve his sociopolitical movement agendas. Apart from having a strong commercial impact on the Chinese people, the revolutionary theatrical techniques developed by Mao and his regime where model operas emerged, have been crucial to date. The revolutionary art that Mao developed aimed at ridiculing enemies of social and cultural changes that were important in the development of a socially equal China. According to Taylor, the theatrical expressions used in the revolutionary theatres represented significant satirical and graphical condemnation of the enemies of social equality (35).Advertising We will write a custom essay sample on Maoist legacy in contemporary China specifically for you for only $16.05 $11/page Learn More Maoist legacy as viewed contemporary China Over the subsequent years, after the demise of Mao as a social legend, questions have prevailed whether the idea of social equality is practicable in the contemporary China, with evidence pointing out the reemergence of inequality in China. Despite having significantly transformed the Chinese sociopolitical development for the few decades that the Chinese considered it imperative, Maoism might not have managed to change the Chinese capitalism behavior (Whyte 230). While a majority view Maoism political philosophy as a failed legacy in the context of the contemporary Chinese leadership, the iconic leadership of Mao still lingers in the minds of many Chinese people. Modern Chinese have however shown considerable interest towards the traditional Maoism ideology and celebrated Mao’s socialist icons through Art and filmmaking, social mobilization, and even through modern commerci al operations. Although it remains controversially debated between modern Chinese reformers and Maoism conformists, the abovementioned social and commercial paradigms have continuously celebrated Maoist egalitarianism legacy through a continuum of contemporary Chinese activities. Maoist legacy in art and filmmaking One of the areas that Maoist political ideology influenced the Chinese community is through cultural transformations that Mao personally initiated. Mao and his social equality reforms targeted leveling and instilling fairness through reduced gaps in incomes, moderated individual’s lifestyles, and even equalized consumption. Whyte postulates, â€Å"The Cultural Revolution launched by Mao in 1966 added new radical elements to China’s Soviet-inspired organizational template† (230). During this moment, Mao eliminated all production bonuses, prizes, material incentives, and cleared all displays that denoted disparities in clothing or adornment.Advertising Looking for essay on political sciences? Let's see if we can help you! Get your first paper with 15% OFF Learn More Mao and his regime ensured social equality even through removing signs of rank in the military uniforms, which brought about moderately unvarying and unisex dressing style that influenced the Chinese significantly (Whyte 230). At this point, the Chinese art started taking shape and the contemporary China has demonstrated this form of legacy through different forms of modern art and filmmaking. Modern performance, theatrical, painting, music, literature, and animations arts have followed Maoist socialism. Maoist socialist legacy is contemporarily dominating the Chinese acting and filmmaking realm with theatrical actors integrating the cultural revolutionary aspects demonstrated by Mao into their arts. As Taylor notes, artists are currently using Maoist legacy in theatrical acting including the model operas that currently represents the officially sanctioned theatre that Mao officiated during the era of Cultural Revolution (1966-1976) (27). The principle theatre of Mao is becoming reg ularly practicable in the acting and performance arts of the modern Chinese film industry. In the post-Mao era, and especially years of the 20th century, there has been an influx of Chinese stage or theatrical arts directed in the traditional Chinese Mao practice. Movies and theatrical plays have taken the practice of revolutionary opera or the model operas that emerged during the reign of Jiang Qing, the wife of Mao, who shaped the performance art. Maoist revolutionary films, artistic works, and other theatrical arts have currently turned to developing and reshaping the Maoist revolutionary arts. The innovative revolutionary theatrical forms currently practiced by actors have their roots to the Maoist socialism with Jiang Qing behind these transformations. These revolutions also influenced the development of the Soviet agitprop theatres, which are currently useful in the Chinese acting practices (Taylor 30). The revolutionary opera developed by Mao and his wife entailed the incorpo ration of regional peasant musical tactics, dance styles, and performances, which enabled communication with masses in the most understood manner. Post-Mao theatrical arts that emerged from the impact of revolutionary operas (yangbanxi) used cultural values of the local Chinese communities in their acting practices. Huobaoju is one of the old, but the post-Mao era theoretical or performance art that followed the revolutionary theatre of Mao and his socialist leadership (Taylor 39). Taking the form of cartoons, human representations, and other forms of acting, huobaoju has developed consistently by welcoming the incorporation of local performance traditions and using several artistic expressions that reflect the philosophies developed during the era of revolutionary media. Maoist legacy in social mobilization As one of the reforms targeted by the Maoist regime, Maoism involved the practice of social mobilization in campaigns towards opponents of the reforms. The social mobilization p rocess involved the Maoist ideology that used mass demonstrations or the notion of mass populism in fighting his enemies politically. Mao used mass population of the unfortunate to mobilize political demonstrations that aimed at transforming China from consumerism, capitalism, and colonialism to National Socialism (Taylor 20). Contemporarily, although the present Chinese leadership considers Maoist traditions in the most ambivalent manner, there is still substantial evidence that links the modern Chinese to the Maoist nationalism. Presenting unique leadership techniques through social equality, the Maoist ideologies have been in consistent application throughout the post-Mao regime. Social mobilization as used in the Maoist regime has recently become one of the foremost philosophies employed in echoing people’s sentiments about political oppressions. Mass gatherings have continually helped the local Chinese and other lower class individuals to air their reservations. The Mao regime had given considerable attention to the empowerment of women as a strategy of enhancing social equality among the Chinese population. Akin to the local communities and populations that resided in the rural lands, Mao thought it was ideal to empower the Chinese women in the new social revolution platform. One of the aspects that have made China develop firmly even in the local suburbs to date is the use of social mobilization as a strategy of echoing people’s sentiments. In a bid to claim social democracy over any form of discrimination, socialists, local politicians, local leaders, and other social groups have persistently used social mobilization in garnering mass support. Women, unemployed youth, and immigrants are among the marginalized social groups that have adopted social mobilization in protesting against discriminatory practices in China. Mass mobilization is still a modern practice in the Chinese political philosophies and the local authorities that Mao wanted to empower are currently protesting using populism. Being relatively important to both the leadership, local leaders have recently shown interest in demobilizing masses against certain repressions. After noticing that forceful repression and other forms of stopping contention are failing, local authorities in China identified relational repression as an effective approach to curb protests. The strategy of mass mobilization is working perfectly in China and regularly employed by the local officials in demobilizing rising mass protestations. Popularly described as relational repression, Chinese officials liaise with individuals willing to stop protesters. As Deng and Brien notice, â€Å"In China, it amounts to relying on relatives, friends, and native-place connections to defuse popular action as relational repression rests on persuasion, pressure, and the impact of influential people† (533). During mass protests and unrest, the local officials identify potential work team mem bers willing to stop the protests and order them to use personal influence to persuade relatives and friends to stop protests. Any member failure to convince his or her family is subject to punishment that includes salary suspension, prosecution, and termination. Maoist legacy in commercial operations Although considered as a traditional approach in organizations, a number of Chinese-based business and corporate organizations have embraced the principles instigated by the Maoist regime (Taylor 35). Demolishing of the urban economy in 1956 by Mao during the socialist transformation meant that all the privately owned businesses and even other productive commercial assets had to adopt government policies. They became state-controlled and state-owned organization that remained subject to bureaucratic regulations rather than market forced policies (Whyte 230). History reveals that Mao ensured that upon school completion, urban students bureaucratically received government employment into state-owned firms. Whyte states that the Mao government offered certain wage grades, package of benefits, assigned subsidized housing, childcare, received recreational opportunities, and enjoyed other facilities while on their employment (230). Still in the contemporary China, some postmodern Mao era organizations have embraced techniques that the state-owned enterprises (SOE) used during the Mao regime. These state-owned firms were less profitable and the government continuously reformed its policies. Trends in the Chinese contemporary business practices have a great indication that some modern corporate organizations seem to be reforming while still reviving the Maoism ideology in their regular practices (Whyte 231). The reaffirmation of the Maoism ideology has emerged so recently in some organizations with the state council engaged in this form of modernity within the organizations. Recent events in the government undertakings reveal that China and its corporate organizations ar e embarking to the traditional Maoism philosophy as the government announced its intentions of restructuring and promoting reforms through law-based firm governance. The Chinese Communist Party has revealed its intentions to develop law-based firm governance where market players are capable of competing fairly. China’s economic liberalization through liberation of the interest rates and deregulation of state-owned firms has become publicly eminent as the government is slowly alienating itself from the new Free Trade Zone, which has been emblematic in Chinese current transformations (Whyte 229). CCP General Secretary Xi Jinping has actively been reviving Maoist mass live concept. Conclusion The majority of the modern drastic transformations witnessed in China may not depict the traditional philosophy of the Maoist regime that intended to develop nationalism based on socialism and social equity. Indisputably, China has continuously remained modernized in the urbanized manner an d it is currently gaining high international recognition for its current developments. Although considered as a traditional conformist nature, Mao and his regime came up with ideologies that seem to have a great influence even in the modern China. The Maoist socialist behavior has become evident in the theatrical performances and filmmaking, in the social mobilization strategies where local officials use relational repression, and even in corporate organizations. There is growing evidence that even the government reforms are reflecting Maoism. Works Cited Deng, Yanhua, and Kevin Brien. â€Å"Relational Repression in China: Using Social Ties to Demobilize Protesters.† The China Quarterly 215.5 (2013): 533-552. Print. Taylor, Jeremy. â€Å"The Sinification of Soviet Agitational Theatre: ‘Living Newspapers’ inn Mao’s China.† British Association for Chinese Studies 2.1 (2013): 28-50. Print. Whyte, Martin. â€Å"China’s Post-Socialist Inequality. † Current History 33.4 (2012): 229-234. Print. This essay on Maoist legacy in contemporary China was written and submitted by user Kallie Riggs to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.